Sunday, October 31, 2010

Halloween Tragedy in Brooklyn


A woman dressed as a red devil was shot to death and her ex-con boyfriend critically wounded when the couple was ambushed in Brooklyn after returning from a Halloween party.

Ciera Glenn, 25, was shot several times in the chest early Saturday, while her companion Tyree Shelton was blasted in the face, witnesses said. Both collapsed in pools of blood in the lobby of a building at the Sheepshead Bay Houses.

"I opened the lobby door and I saw the young girl dead," said horrified neighbor Luke Kopelakis, 71, who stumbled upon the grisly scene. "There was blood in the elevator, blood on the walls."

Glenn, the mother of a 7-year-old son, and Shelton spent their final hours together at a late-night Halloween bash at the bar 95 South in Prospect Heights, the dead woman's sister said.

"I told her I love her and gave her a hug," said Trina Porter, 27. "I said I'd call her tomorrow - I didn't know it was going to be the last time I saw her."

The couple walked past Halloween decorations, including pumpkins and a life-sized witch, when they returned to Shelton's apartment in the Batchelder St. building around 5:45 a.m.

Then shots rang out.

Glenn died instantly, while Shelton, 27, managed to drive himself 2 miles to Coney Island Hospital, police said.

Shelton, who is in critical condition, has been arrested several times on drug charges and served nearly two years in prison after a 2006 conviction for gun possession, according to records.

The motive for the shooting remains a mystery as detectives looked for surveillance video and studied the bloody crime scene. No one has been arrested.

Glenn, who was set to graduate from Medgar Evers College in May, balanced her studies with a full-time job at a Coney Island car rental outlet and with raising her son, Robert, her sister said.

She was also president of Prime Squad A.C. Divas on Deck, an auto club that hosts fund-raisers and gives to charities.

"She was a wonderful mother," said a tearful Porter. "She was the life of the party. When you were feeling down, she would bring you right up."

"That was my heart right there," she said. "This is really hard."


Story by: jlemire@nydailynews.com

Tuesday, October 26, 2010

NEW "TRUCKS" AVAILABLE FROM THE UGC


All of these TRUCKS will soon be availble on www.TheUndergroundClown.com VERY SOON!!
Follow us on twitter www.Twitter.com/TheUGC

Tuesday, October 19, 2010

The UGC spotted on "EXTRA"





Make sure you vote for Brandy & Maks on Dancing With The Stars!!

Friday, October 15, 2010

The UGC Films with BCAT

Stay tuned for more info!
Follow our Tweets www.Twitter.com/TheUGC




THE UGC SKATE TEAM PROMO VIDEO

Brooklyn Barcode spotted on Maksim Chmeerkovskiy (DWTS)


Make sure you watch Dancing With The Stars and vote for Maks & Brandy!
This tee and others are available on www.TheUnderGroundClown.com
Follow our Tweets www.twitter.com/TheUGC

Wednesday, October 13, 2010

SCRAPPERS at Carousel Collision

Sal "The Barber" & Greg from the Spike TV show "Scrappers" stopped by our parent company Carousel Collision while we were filming a feature for a documentary for BCAT!

Maksim Chmerkovskiy (DWTS) Rocking UGC

Make sure you vote for Maksim & Brandy on Dancing With The Stars!

Tuesday, October 12, 2010

Frank Voight

The other day I had a great outdoor session with my Buddhist instructor, Frank Voight. These sessions keep me grounded as well as gives me a different perspective on life in general. One of the keys to Buddhism is meditation. I urge all of our readers to try it. Meditation is very important to Buddhists. It is a technique for quietening and focusing their thoughts, so that they can think clearly about life, understand who they are (anatta), and to accept the true nature of the world around them (anicca).
My instructor is located on 7th avenue & Carrol street in the park slope section of Brooklyn, NY.

Monday, October 11, 2010

SO BROOKLYN!


UGC Made in Brooklyn!

UGC FOUNDER/CEO Frank (left) Dj C-Mills (right)
UGC CEO/FOUNDER Frank (left) Shamar (Right)






Carousel is At It Again

The UGC's parent company, Carousel Collision (1902 Neptune Ave, Brooklyn, NY) just placed a sick two tone paint job on a classic Buick Riviera!
More photos coming once the job is complete!
Follow us on twitter @TheUGC



If you want to be great, make others feel great. - Ralph Marston

Introducing Niko Team UGC's Official Skateboarder


R.I.P. Harold Hunter





The image of the skateboarder as a rebellious, non-conforming youth has faded in recent years. Certain cities still oppose the building of skateparks in their neighborhoods, for fear of increased crime and drugs in the area. The rift between the old image of skateboarding and a newer one is quite visible: magazines such as Thrasher portray skateboarding as dirty, rebellious, and still firmly tied to punk, while other publications, Transworld Skateboarding as an example, paint a more diverse and controlled picture of skateboarding. Furthermore, as more professional skaters use hip hop, reggae, or hard rock music accompaniment in their videos, many urban youths, hip-hop fans, reggae fans, and hard rock fans are also drawn to skateboarding, further diluting the sport's punk image.

The UnderGround Clown Skateboard Inspired Tees

Go









Saturday, October 9, 2010

Harold Hunter Day Event



Tomorrow, Sunday, October 10th, 2010, we have our first skater NICO skating in Harold Hunter Day event tomorrow under the Manhattan bridge go check him out at 1pm

Monday, October 4, 2010

True Stories Behind Car Company Logos

Since THE UGC was inspired by our day to day activities at our Collision Shop,
I figured I share the History of Car Company Logos



Did a wallpaper pattern in a Paris hotel room inspire the famous Chevrolet Bowtie emblem? Does the blue and white BMW roundel really symbolize a propeller and sky? And was the Porsche logo first sketched on a napkin in a New York City restaurant? In the world of automobile logos, truth can be stranger than fiction—though a good story can go a long way toward embellishing a brand’s corporate identity.

From Ferrari’s Prancing Horse to Cadillac’s crest, automobile logos appear on everything from steering wheel hubs to giant billboards, and even the lapel pins on the suits of company executives. This kind of flexibility is one of the design elements needed for an effective and strong logo, says Jack Gernsheimer, Creative Director of Partners Design Inc. and author of Designing Logos: The Process of Creating Symbols that Endure.

With over 40 years of advertising experience and more than 500 logos to his credit, Mr. Gernsheimer believes it’s essential to look long-term and to keep things simple when designing a logo. “Not getting too trendy with the type or color” is vital, he says. “When you design a logo, ideally it should endure for decades.” For many automakers, the roots of their logos stretch back over a century and contain enough symbolism and intrigue to fill a Dan Brown novel.

Automotive Pioneers
Tragedy plays a role in a popular myth surrounding the famous intertwined double-R logo of British luxury automaker Rolls-Royce. The company’s founders, Sir Henry Royce and Charles Stewart Rolls, originally used red lettering for the emblem that combined the first initial of their last names. Legend has it the color was changed, from red to black, in a mark of respect after the death of Sir Henry Royce in 1933. In reality, black lettering was simply considered more becoming of a prestigious luxury car. The timing of the color change was pure chance.

Rolls Royce’s second iconic emblem, the Spirit of Ecstasy hood ornament, is linked to a similarly tragic (but in this case, entirely true) tale. Designed by Charles Sykes in 1911, the model for the emblem was Miss Eleanor Thornton, the personal secretary of John Scott Montagu, the 2nd Baron Montagu of Beaulieu and friend of company co-founder Charles Stewart Rolls. In 1915, Miss Thornton died at sea while traveling to India. Yet for almost 100 years her likeness has graced every Spirit of Ecstasy.

The origins of some automotive logos begin even before the dawn of the automobile. The Mercedes-Benz three-pointed star is commonly known to symbolize the use of the company’s engines on land, sea and air. But the star first appeared on a personal note written in 1872 from company founder, Gottlieb Daimler, to his wife. Mr. Daimler used a three-pointed star to mark the location of his family’s new home in the town of Deutz, Germany. His sons adapted the emblem as the Mercedes-Benz logo from 1910 onward.

One of the best known emblems of all time, Ferrari’s Prancing Horse first appeared on warplanes flown by Francesco Baracca, an aviator and hero of World War I. In 1923, Enzo Ferrari met Francesco’s parents after a race, where they suggested Ferrari use their son’s prancing horse badge on his race cars—both for good luck, and as an homage to Francesco, who died before the war ended. A yellow background was added (it’s the official color of Enzo Ferrari’s hometown of Modena, Italy) and the horse’s tail was redesigned to point upward.

In the case of BMW, myth (and savvy marketing) has fooled generations into linking the company’s logo with an aviation theme. “A German advertising agency in the 1920s produced an ad that showed the [BMW] roundel against the spinning propeller of an airplane to reflect the company’s origins as an aircraft engine manufacturer,” says Dave Buchko, company spokesman for BMW North America. “That, it seems now, turns out to be urban myth.” While it’s true that BMW manufactured airplane engines, the blue and white logo represented the colors of the Bavarian flag, not a stylized propeller and sky.

American Ingenuity
Had it not been for a talkative spouse, the Chevy Bowtie emblem could have claimed one the strangest design origins. Louis Chevrolet said the famous emblem was inspired by a wallpaper pattern in his hotel room during a visit to Paris in 1908. The story would have been considered fact, had it not been for Mr. Chevrolet’s wife. She later said her husband had seen an advertisement featuring a similarly shaped logo in a Sunday supplement. Eye-catching design—and careful evolution—is a theme found in many American car company logos.

The Cadillac crest is the coat of arms of French military commander and explorer, Antoine de la Mothe Cadillac, who founded Detroit in 1701. Simplified and streamlined over the years, the basic style remains intact. “It’s so distinctive, you don’t want to give that away,” says Anne Marie Webb, Design Manager for GM’s Global Brand Identity. When updating one of GM’s brand logos, Webb says she always considers elements “that made it recognizable and strong.” Even then, cultural differences must be considered. The Buick Tri-Shield emblem is monochromatic in every country except China, where the logo maintains red, blue and grey coloring. “They felt [color] had a more premium feel,” explains Webb.

Changing times can also bring big changes in a logo. For more than 80 years, Chrysler has used a wide range of badges featuring ribbon seals, or ribbon seals with wings. But in 1962, Chrysler Chairman Lynn Townsend wanted a more modern and less fussy corporate logo. According to Chrysler’s archives, out of approximately 700 designs, Townsend selected the Pentastar. Many assumed the design symbolized the five divisions of the company (circa the early 1960s). It didn’t; the design simply looked good.

Lawyers, Latin and Luck
Some car company logos owe their existence to legalities and economies of scale. In 1909, having left the company bearing his name, August Horch established a second automobile company in Zwickau, Germany. But with his name already in use, Horch had a serious problem. He couldn’t legally name his new company after himself. However, when translated into Latin, “Horch”—which means “hark”—became the lawyer-friendly “Audi.” The four interlinked Audi rings came about in 1932, when four struggling automakers joined together under the corporate banner of Auto Union. These companies included Audi, DKW, Wanderer and, ironically, the original Horch.

Volvo also has Latin roots. Meaning “I roll,” the name was taken from a brand of ball bearings before it was applied to the Swedish automaker in 1924. The Volvo logo is the Roman symbol for iron—symbolizing a warrior’s shield and spear. The diagonal streak across the grille was originally only a mounting point for the badge, but is now “almost as much a brand ID as our iron symbol,” says Daniel Johnston, Product Communications Manager at Volvo Cars North America.

Good luck—and an easier to pronounce name—played a role in the creation of the Toyota nameplate in 1936. In the book Toyota: A History of the First 50 Years, company founder Kiichiro Toyoda “ran a contest for suggestions for a new Toyoda logo. There were over 20,000 entries. The winning entry consisted of katakana characters in a design that imparted a sense of speed… “Toyoda” became “Toyota” because as a design it was esthetically superior and because the number of strokes needed to write it was eight, which in Japan is a felicitous number, suggestive of increasing prosperity.”

Statues, Stars, and Smart Cars
Inspiration for a name and logo can come from careful consumer research, legal loopholes or, in some cases, by looking at the surrounding environment. The Maserati brothers took inspiration for their company’s trident logo from the statue of Neptune in the central square of Bologna, Italy, where Maserati was originally headquartered. The trident with Maserati script below was sketched by Mario, an artist, who also happened to be the only Maserati brother never actively involved in the design or engineering of cars.

Inspiration for the Subaru name literally came from the heavens—or more precisely, the Japanese name of a star cluster in the Taurus constellation. Six of the stars are visible to the naked eye and—in keeping with corporate identity—this matches the six companies which combined to form Fuji Heavy Industries, Subaru’s parent company. The Hyundai name has an even simpler explanation. In Korean it means “modern,” while the company’s logo is a stylized “H” that also represents two people, the company and customer, shaking hands.

The Smart name seems to speak for itself, no translation needed. It actually happens to be an acronym of Swatch (the Swiss watch company that was a partner during the early stages of the company), Mercedes (the brand’s current custodian), and “Art.” The company’s logo signifies compact, with a “C,” and forward thinking with an arrow emblem.

Plot Twists
When it comes to the origin of an iconic logo, the same car company can sometimes have two variations of the same story. That holds true with Porsche, and the truth behind the German sports car manufacturer’s eye-catching emblem. According to a spokesperson with Porsche Cars North America, an extremely influential automobile distributor, Max Hoffman, met with Ferry Porsche in a New York City restaurant in 1951. The discussion moved on to Hoffman’s belief that Porsche needed a powerful logo, something distinctive and elegant. A rough sketch was made then and there, on a dinner napkin.

Yet the story from Porsche Germany differs from this colorful explanation. Max Hoffman did ask Ferry Porsche for a logo, but the emblem was designed by Porsche engineer Franz Xaver Reimspiess—and most definitely not sketched on a napkin somewhere in Manhattan. Does it matter who is right or wrong? Probably not.

A tall tale never hurts, especially when it involves two companies known for building some of the most exotic cars in the world. Car enthusiasts love to stoke the rivalry between Lamborghini and Ferrari, even down to the minutiae of the Lamborghini logo. The design of the gold and black emblem was led by company founder Ferruccio Lamborghini, and the bull located in the center stands for his astrological sign (Taurus). Legend has it that Mr. Lamborghini purposefully copied the Ferrari shield, then reversed that company’s yellow and black color scheme to prod the ego of Enzo Ferrari.

With the key protagonists having passed away, there is probably no way to know for certain how much of this is true. “To our knowledge, this is just a rumor,” said a spokesperson for Automobili Lamborghini S.p.A. “The only way to confirm would have been to ask Mr. Lamborghini himself.”

Friday, October 1, 2010

Why does it rain? Does it rain because the heavens are sad and crying down on us because we can't live in peace with each other? Can't help each other out because we are constantly thinking of ourselves and our self benefit. Or is Jesus making an attempt to wash away the sins of the world, one storm at a time. In that case, think about it. It will be raining for a long time. That's something to think about.